Because I'm a nerd, I wanted the cupcakes to spell out 'diolch am y lyfr' (Welsh for 'thanks for the book'), and my first thought was to cut out circles of fondant, paint them with a textura or gothic script and place them on top of smooth-topped cupcakes. Fortunately I came to my senses and realized that mini fondant manuscripts would be so much cooler as toppers, so that's what I made. I used initials, decorated with red for each new word, on the pages to spell out my message of thanks.
Admittedly, the cupcakes themselves are as much the superfluous part of this post as they were the superfluous part of the gift. That being said, they were pretty good. They were a variation on my whisky cake, in that the chocolate cupcakes were filled with chocolate and Guiness ganache and topped with whisky buttercream. I used this recipe from Joy of Baking for the cupcakes, and be careful to note that the recipe makes sixteen cupcakes. Since the average tray has a dozen cups, this could be a problem, and you should be prepared for it before it comes time to pour the batter. Since I only have one cupcake tray, I poured the excess batter into two small greased and cocoa-powdered souffle dishes. This meant that in the end I had two 3-4 inch cake layers going spare... perfect for a bonus tiny cake. The cupcakes were generally nice although they came out somewhat fudgier than I might have liked; others liked the fudginess, so this is personal preference. The only change that I made to the recipe was using hot coffee in place of hot water, because coffee strengthens the flavour of chocolate cake. I may also not have mixed the hot coffee with the cocoa poweder - too much time has passed now to remember - and it might be this that resulted in said fudginess. The cupcakes were also quite susceptible to cracking when coring them to fill with ganache, possibly for the same reason. If you pipe the ganache into the centres of the cupcakes with a piping bag and do not use too much pressure, it should not be terribly problematic. The recipe for the swiss buttercream is in the Recipe Box, just add whisky to taste, and the same goes for the recipe for ganache but adding Guiness to taste.
I did learn something valuable in making this ganache: how to fix a broken ganache. I can safely say that I had never broken a ganache before (I must have been lucky), so when it happened I wasn't sure what I was looking at. I had been unable to buy my preferred ganache-making chocolate, so my first instinct was to blame the lumpy, oily mess on low-quality chocolate. I tried draining off the oil, reheating the mess, stirring and stirring and stirring, and it still looked gross. I wondered if adding the Guiness had caused the problem, but since it was clearly oil sitting on top of the chocolate and not stout, that did not seem to be the issue. Finally I googled 'broken ganache' and found Matthew Kayahara's blog, where he explained that a broken ganache is the result of an unbalanced fat-to-water ratio, with the fat content being too high. To fix it, heat some low-fat milk and, very slowly, incorporate it into the ganache until everything comes together and it looks like the smooth chocolate confection it should be. Where did bakers and chefs go for answers before google? Medieval scrolls, I guess.
On to the manuscripts! I knew how I wanted my books to look, and a vague idea of how to get there, but for tips I googled (again!) and found this how-to from A Grey Eyed Girl. She provides a very good step-by-step, complete with pictures. I used different tools, but followed her closely with variation in the details (turned up edges or corners of pages, thickness of the book, lift of the pages from the binding) for each manuscript. I also coloured my fondant with a mix of red, yellow and black gel dyes, just as I did with my Black Book of Cake manuscript cake, to make it resemble vellum.
Colour a ball of fondant to your desired shade, and break off a small lump for your first manuscript. Shape it into a soft rectangle.
Using the blunt edge of a knife or a fondant or gum paste cutting tool, slice into the centre of the rectangle, approximately halfway through it.
Using a round pencil or another fondant tool for which I do not know the name, widen the incision and spread and smooth the pages on either side so that they resemble the wings of a bird if viewed from the bottom or top edge. Trim the left and right edges of the manuscript at an angle to mimic the spread of the pages of an open book.
With the tip of the knife or cutting tool, draw the lines of individual pages into the top and bottom edges of the book, following the wing-shape you created. On the right and left edges create the pages by pressing in with the length of the blade, rather than drawing the lines with the tip. Turn up the corner of a page by gently sawing into it and lifting.
For the binding, roll out fondant of a different colour (I prefer black) and trim it to the size of your manuscript. Round the corners a bit if desired, and create the spine by placing two indents on either side of the sheet using a toothpick.
To paint on the 'text', you will need a fine brush and more of the gel dye used to colour the fondant. As I showed in the Black Book of Cake, to paint with these gels it is helpful to thin them out using a clear alcohol such as gin or vodka. As the paint dries this will evaporate, so there's no worry if feeding the fondant to kids! By thinning the dyes, it is possible to adjust the consistency and the transparency of your colours. Having the alcohol and cotton swabs on hand is also helpful in the event that you make a mistake, because if you act quickly it is possible to wipe it off using an alcohol-soaked swab or paper towel.
Because I did not take photos throughout the process of making the first batch of manuscripts, I made one more to top off the bonus tiny cake I mentioned earlier; this is the manuscript featured in my step-by-step. I painted this one slightly differently, in that I included both coloured initials and 'text' on the same page, rather than the sort of carpet pages I made in my thank you cupcakes. The 'text' of all of the manuscripts I formed purely out of minims; there weren't enough hours in the day for the level of procrastination that it would have taken to copy true tiny texts into these miniscule manuscripts, and fortunately minim confusion is not an issue on pages that are going to be eaten...
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